The Business of Music (OperaNews.com) Great article about the business of singing and the differences today in the business! Some excerpts: «It’s important to recognize that success as a professional musician requires more than technical training,» says bass-baritone Jan Opalach, who teaches at the Eastman …
Career Costs (auditioningforcollege.wordpress.com) I’d like to thank the blog at http://auditioningforcollege.wordpress.com/vocal-performance/what-does-an-operatic-career-look-like/#comment-321 for putting up a very interesting article, putting together all the costs and a realistic timeline of what happens for a lot of young singers. It is but one route that many …
(English) Opernnetz (The Magic Flute) Disculpa, pero esta entrada está disponible sólo en English. «Some cheers are the excellent singers, especially Laura Claycomb as Queen of the Night…» By Horst Dichanz | July 27, 2013 Read entire review here.…
Online Musical Magazin (Zauberflöte) Agua, Prado, Fuego «… como la reina de la noche brilló especialmente Laura Claycomb en su segunda aria con coloratura cincelado.» «…als Königin der Nacht glänzte vor allem in ihrer zweiten Arie mit gestochenen Koloraturen Laura Claycomb.» by Christoph …
(English) Omm.de (Die Zauberflöte) Disculpa, pero esta entrada está disponible sólo en English y Deutsch. Albert Pesendorfer was a dignified, sonorous Sarastro and the Queen of the night shone especially in her second aria with chiseled coloratura Laura Claycomb. – Christoph Wurzel…
Die Vorarlbergerin – Color para la escala Ver el último artículo con Laura en Austria en Die Vorarlbergerin. Cliquee en la foto para leer el artículo en formato PDF. (en alemán)…
Mozart – Die Zauberflöte (Königin der Nacht) in Bregenz Laura’s first essay into Queen of the Night territory happens on July 20th, 2013! The Bregenz Festival’s production promises to be spectacular!Click here for more information In deutscher Sprache mit Übertiteln Premiere am 17. Juli 2013 – 21.15 Uhr, …
(English) TheStage.co.uk (Ariadne auf Naxos) Disculpa, pero esta entrada está disponible sólo en English. Despite that, some worthwhile performances emerge from the wreckage: Soile Isokoski’s finely phrased Ariadne, Laura Claycomb’s teasing Zerbinetta, and especially Kate Lindsey’s luminous Composer. -George Hall http://www.thestage.co.uk/reviews/review.php/38568/ariadne-auf-naxos…
Hi Laura Hello from Singapore! Big fan of your technique videos and performances on Youtube. Been a singer for about
Hello Ms Claycomb, hope everything is well with you. i am Tata, live in Boston and study vocal. I found your v
Hi Laura, It has been great to find this. I have admired you since our days in NATS (I was in OK at OCU). I don't know i
Many thanks for thinking of me!! :-)