“Soprano Laura Claycomb gives a must-see performance as Giulietta. Vocally and dramatically compelling, Claycomb seizes the opportunities of bel canto style to evoke our deepest sympathies for her character. The beauty and sorrow of her singing in the recitative and aria that opens the second scene of Act I, where she is alone at her dressing table, by itself would be worth the price of admission.
Claycomb has thrilling vocal agility and beautiful tone throughout her range. Her ornamentation was wonderful. And her high E’s (above high C’s) during her second act confrontation with her father after taking sleeping potion were penetrating expressions of Giulietta’s despair.”
By Mark Kanny | May 5, 2008
Read entire review here.
I had the great pleasure to hear you sing Straus's Brentano Leider with the San Francisco Symphony. I think it was 2015.
Hi, Laura, Roger Roe`s uncle here. I am planning to see you at Southwestern, but since I live an hour away, cannot sta
How sweet that you are coming!! We already have the program made, and I don't normally put arias on an art song recital
Laura, We are really looking forward to hearing you again at Southwestern U. We attended an SMU Music School concert qui