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April 1st, 2011
The role of his daughter Gilda is the most mportant Verdian role for a coloratura soprano. Gavanelli’s Gilda was Laura Claycomb. Hers is a lustrous voice, affecting in her duets with Gavanelli’s Rigoletto, passionate in those with tenor James Valenti’s Duke of Mantua.
[Below: Laura Claycomb as Gilda; edited image, based on a a Karen Almond photograph, courtesy of the Dallas Opera.]
Claycomb was technically brilliant in Gilda’s great aria “Caro Nome”, which Claycomb delivered, singing prone on the upper part of a two story set, for which she received an audience ovation.
Hi Laura Hello from Singapore! Big fan of your technique videos and performances on Youtube. Been a singer for about
Hello Ms Claycomb, hope everything is well with you. i am Tata, live in Boston and study vocal. I found your v
Hi Laura, It has been great to find this. I have admired you since our days in NATS (I was in OK at OCU). I don't know i
Many thanks for thinking of me!! :-)