All in alphabetical order:
Opera
COMPOSER | TITLE | ROLE |
D. Argento | The Dream of Valentino | Jean Acker/Voice |
V.Bellini | I Capuleti e I Montecchi | Giulietta |
La Sonnabula | Amina | |
A. Berg | Lulu (work in progress) | Lulu |
H. Berlioz | Benvenuto Cellini (Weimar version) | Teresa |
L. Bernstein | Candide | Cunegonde |
B. Britten | A Midsummer Night’s Dream | Tytania |
A. Copland | The Tender Land | Laurie |
L.Delibes | Lakmé | Lakmé |
G.Donizetti | ||
La fille du régiment | Marie | |
Linda di Chamounix | Linda | |
Lucia di Lammermoor | Lucia | |
Elliot Goldenthal | Grendel | Queen Wealtheow |
C.Gounod | Romeo et Juliette | Juliette |
G.Händel | Alcina | Morgana |
Ariodante | Dalinda, Ginevra | |
Giulio Cesare | Cleopatra | |
Radamisto | Polissena | |
Semele | Semele | |
Xerxes (Serse) | Romilda | |
J. Haydn | L’Incontro improvviso | Rezia |
Der Apotheker | ||
E. Humperdinck | Hänsel und Gretel | Gretel |
G. Ligeti | Le Grand Macabre | Amanda |
J. Massenet | Cendrillon | Cendrillon , la Fée (work in progress) |
J. Massenet | Manon | Manon |
O. Messiaen | St. Francois d’Assise | Angel |
D.Milhaud | Christoph Colombe | Duchesse/Angel |
C.Monteverdi | L’Incoronazione di Poppea | |
La Clemenza di Tito | Servilia | |
Die Entführung aus dem Serail | Konstanze, |
|
La finta giardiniera | ||
Idomeneo | Ilia | |
Mitridate, re di Ponto | ||
Der Schauspieldirektor | Madame Silberklang, Madame Herz | |
Die Zauberflöte | Pamina, Königen der Nacht | |
J. Offenbach | Les Contes d’Hoffmann | Olympia, Antonia, Giulietta (1st version), Stella |
T. Pasatieri | La Divina | Madame Altina |
G. Puccini | Gianni Schicchi | |
M. Ravel | L’Enfant et les Sortilêges | Feu (Princesse, work in progress) |
G.Rossini | Le Comte Ory | Comtesse Adele |
Il Viaggio a Rheims | Corinna (work in progress) | |
Il turco in Italia | Fiorilla (work in progress) | |
R.Strauss | Arabella | |
Ariadne auf Naxos | Zerbinetta | |
Der Rosenkavalier | Sophie | |
I. Stravinsky | The Rake’s Progress | Ann Truelove |
Le Rossignol (in Russian) | Rossignol | |
C. Susa | Dangerous Liaisons | Cecile |
A. Thomas | Hamlet | Ophélie |
A. Thomas | Mignon | |
T. Traetta | Ippolito ed Aricia | Fedra |
R. Vaughan-Williams | Sir John in Love | |
G. Verdi | Rigoletto | Gilda |
STRUCK-THROUGH ROLES are roles now retired from working repertory.
Orchestral
COMPOSER | TITLE | ROLE |
J.S.Bach | B minor Mass | |
Cantatas BWV 187 (“Es wartet alles auf dich”), BWV 210 (Wedding – “O holder Tag, erw�nschte Zeit”), BWV 211 (Coffee – “Schweigt stille, plaudert nicht), “Sich �ben im Lieben; Jauchzet Gott In Allen Landen BWV 51, | ||
Magnificat | ||
L. Beethoven | Christus am Olberge Op. 85 | |
Samuel Barber | Knoxville, Summer of 1915 | |
A. Berg | Lulu suite (work in progress) | |
J. Brahms | German Requiem | |
Benjamin Britten | Les Illuminations | |
E.Chausson | Poème de l’Amour et de la Mer | |
C.Debussy | Le Martyre de St. Sebastien | Ange |
Fauré | Requiem | 4-part mixed chorus with soprano and baritone soli, orchestra (or organ) |
Philip Glass (*1937) | Symphony No. 5 (Choral) Requiem, Bardo and Nirmanakaya | |
R. Glière | Concerto for Coloratura Soprano | |
George Friedrich Händel | Apollo e Dafne | Dafne |
Il delirio amoroso | ||
Messiah | soprano soloist | |
J. Haydn | (3rd) Lord Nelson Mass | |
B flat Major Mass | ||
The Creation (English and German) | ||
Die Jahreszeiten | ||
Hindemith | Das Marienleben (6 orchestrated songs) | |
G. Mahler | Symphony #4″…wir geniessen die Himmlichen..” | |
Symphony #2 | soprano solo | |
Symphony #8 | 3rd soprano solo | |
D.Milhaud | Chansons de Ronsard | |
W. Mozart | C Minor Mass | |
Concert Arias: K. 294 Alcandro, lo confesso… Non so d’onde viene; K. 316 Popoli di Tessaglia; K. 368 Ma che vi fece, o stelle… Sperai vicino il lido; K. 383 Nehmt meinen Dank; K. 416 Mia speranza adorata… Ah, non sai qual pena sia; K. 418 Vorrei spiegarvi, o Dio; K. 419 No, no, no, che non sei capace; K. 538 Ah se in ciel, benigne stelle | ||
Coronation Mass | ||
Motet K. 165 – Exultate, jubilate | ||
Requiem (work in progress) | ||
Der Schauspieldirektor | Madame Silberklang, Madame Herz | |
C. Orff | Carmina Burana | |
G.B. Pergolesi | Stabat Mater | |
F.Poulenc | Gloria | |
Stabat Mater (work in progress) | ||
André Previn | Honey and Rue (Six Songs for soprano and orchestra) (work in progress) | |
H. Purcell | Ode to Saint Caecilia | |
S.Rachmaninoff | Vocalise | |
J. Rutter | Requiem | |
D. Scarlatti | Vespero di St. Caecilia | |
F. Schubert | Mass in G | |
R.Strauss | Brentano Lieder | |
Vier Letzte Lieder | ||
I. Stravinsky | Japanese Lyrics | |
Balmont Songs | ||
E. Toch | The Chinese Flute | |
R.Vaughan-Williams | Serenade to Music | |
Sea Symphony | ||
A. Vivaldi | Gloria | |
Cantatas RV129, RV157, “ | (solo voices, mixed chorus, orchestra) |
Operetta Repertoire
- Bernstein – Glitter and Be Gay (Candide)
- Victor Herbert – Italian Street Song (Naughty Marietta)
- Luigi Arditi – Kiss Waltz (Il bacio)
- Richard Heuberger – Im Chambre separee (Der Opernball)
- Carl Millocker – Ich schenk mein Herz (Die Dubarry)
- Carl Zeller – Ich bin die Christel von der Post (Der Vogelhandler)
- Carl Zeller – Sei nicht bös (Der Obersteiger)
- Franz Lehar – Vilja-Lied (Die lustige Witwe)
- Franz Lehar – Einer wird kommen (Der Zarewitsch)
- Franz Lehar – Meine Lippen, die kussen so heiss (Giuditta)
- Rudolf Sieczynski – Wien, du Stadt meiner Traume
- Franz Lehar – Ich bin verliebt (Schön ist die Welt)
- Johann Strauss – Mein Herr Marquis (Die Fledermaus)
- Johann Strauss Fruhlingstimmewalzter
- Johann II Strauss/Benatzky arr. – Nonnenchor (Casanova)
Wish
list Repertoire
Elliot Carter | Warble for Lilac-time (Walt Whitman) | soprano and orchestra |
Aaron Copland | 8 Poems of Emily Dickinson
|
|
Claude Debussy | La Damoiselle Ëlue | for Soprano solo, female Chorus and orchestra |
Oscar Esplà | Canciones Playeras | |
Enrique Granados | La Maja y el Ruisenor from “Goyescas” | soprano and orchestra |
Henryk Mikolaj Gorecki (1933-) | Symphony No. 3 | |
Lutoslawski | Chantefleurs et Chantefables | (for Soprano and Orchestra) |
Arvo Pärt | Como Cierva sedienta(Psalm 42-43) | soprano, women’s choir, orchestra |
Giambattista Pergolesi | Stabat Mater | 2 sopranos, string orchestra, organ |
Silvestre Revueltas | Cinco canciones de ninos y dos canciones profanas, 1938-1939 | (soprano and orchestra) (10 minutes) |
Kaija Saariaho | Château de l’âme (work in progress) | Five songs for solo soprano, eight female voices and orchestra |
Cinq reflets (work in progress) | solo soprano, baritone, orchestra (30 minutes) | |
Robert Schumann | Das Paradies und die Peri, Op. 50 | |
Johann Strauss | Souvenir Waltz | |
Richard Strauss | Zerbinetta’s aria (first version) | |
Ralph Vaughan-Williams | Three Songs from “The House of Life” | (arr. By Maurice Johnstone 1968 for string orchestra and harp or piano) |
Giuseppe Verdi | Aria: “Merci, jeunes amis (Merce’ dilette) from Les Vepres Siciliennes | |
Antonio Vivaldi | Gloria | Solo voices, mixed chorus and orchestra |
Recital
Dominick Argento Letters from Composers
- (with guitar)
- Frederic Chopin to a friend
- Wolfgang Amadeus Mozart to his father
- Franz Schubert to a friend
- Johann Sebastian Bach to the Town Council
- Claude Debussy to a friend
- Giacomo Puccini to a friend
- Robert Schumann to his fiancee
Samuel Barber
- St. Ita’s Vision
- Sure on this Shining Night
- The Crucifixion
Vincenzo Bellini
- La Ricordanza
- Ma, rendi pur contento
Leonard BernsteinTwo Love Songs (Rilke)
Mark Blitzstein
Nadia Boulanger
Brahms
- Wie Melodien sieht es mir
Elliott Carter
- The Rose Family (Robert Frost) Mario Castelnuovo-Tedesco
- Ninna Nanna (per l’album di una bimba) parole di U.C.T.
- L’infinito (1921) (Giacomo Leopardi) 3 Heine-Lieder
- (1926):
- . Zu Halle auf dem Markt
- Sommerabend
- Am Teetisch
5 Poesie Romanesche
- (1946):
- Sogni
- Palloncini
- Piove
- Grandine
- Er treno
Francisco Cavalli
- Dolce amor, bendato dio
Marcantonio Cesti (1618-1669)
- Ah, quanto e’ vero (Aria of Venus from “Il Pomo d’Oro”)
Ernest Chausson Poemes de l’amour et de la mer
- Les fleurs des Eaux
- La Mort de l’Amour
- Le Temps des lilas (Maurice Bouchor)
Aaron Copland
- Heart, we will forget him (Emily Dickinson)
- Pastorale (from the Kafiristan)
- Vieux Poème – translations of Jules Casadesus (Old Poem – words from Chinese by Arthur Waley)
- Why do they shut me out of Heaven? (Emily Dickinson)
Costa
- Aurette che placide
Claude Debussy
- Apparition (Stephane Mallarme)
- Fêtes galantes
Fêtes galantes pour Madame Vasnier (1882)
- Pantomime (Paul Verlaine)
- Clair de Lune (1re version – Paul Verlaine)
- Fantôches
- En sourdine
- Mandoline
- Pierrot (Theodore de Banville)
Antonin Dvorak (1841-1904)
- (Songs my mother taught me) Als die alte Mutter, op. 55 (Adolf Heyduk)
Manuel de Falla (with piano or *With guitar) Siete canciones
- El pano moruno
- Seguidilla Murciana
- Asturiana
- Jota
- Nana
- Cancion
- Polo
Stephen Foster
- Jeanie with the Light Brown Hair
- Beautiful DreamerBernardo Gaffi (17th cent.)
- Luci vezzoseFederico Garcia Lorca (with guitar)
- Anda, jaleo
- Los pelegrintos
Enrique Granados Canciones amatorias
- (revision de Rafael Ferrer)
- Descubrase el pensamiento de mi secreto cuidado
- Mananica era
- Llorad, corazon, que teneis razon
- Mira que soy nina, amor, dejame!
- No lloreis, ojuelos
- Iban al pinar
- Gracia mia
Charles Griffes
- Le Jardin – The Garden (Oscar Wilde)
- Impression du Matin – Early Morning in London (Oscar Wilde)
- La Mer – The Sea (Oscar Wilde)
- Le Reveillon – Dawn (Oscar Wilde)
Richard Hagemann
- At the Well (with piano or orchestra)(Rabindranath Tagore)
- Do not go, my Love
Hindemith Das Marienleben
- Geburt Mariae
- Die Darstellung Mariaeim Tempel
- Mariae Verkuendigung
- Mariae Heimsuchung
- Argwohn Josephs
- Verkuendigung Ueber Diehirten
- Geburt Christi
- Rast Auf Der Flucht Nach Aegypten
- Von Der Hochzeit Zu Kana
- Vor Der Passion
- Pieta
- Stillung Mariae Mit Demauferstanden
- Vom Tode Mariae
- Thema Mit Variationen
- Doch Vor Dem Apostel Thomas
Lee Hoiby
- Lady of the Harbor (Emma Lazarus- from The New Colossus1883)
- The Serpent (Theodore Roethke)Roy Harris
- Fog (Carl Sandburg)
Korngold
- from
Lied der Abschied
- Sterbelied
Nina KotovaLyrica cycle Franz Liszt Three Songs from Schiller’s William Tell:
- Erste Sonett – Pace non trovo (Petrarca)
Joseph Marx
- Und gestern hat Er mir Rosen gebracht
- Süss, düftenden Lindenblüte
- From
Italienischen Liederbuch
- (1912):
- Liebe (1907)
- Die Liebste spricht
- Die Begegnung
- Die tote Braut
- Die Verlassene
- Wofür
- Venetianisches Wiegenlied
Giovanni Battista Mazzaferrata
- Presto, presto io m’innamoro
Olivier Messiaen
- PourquoiChants de terre et du ciel
- Bail avec Mi
- < Antienne de Silence
- Dans du bébé-pilule
- Arc-en-ciel d’innocence
- Minuit pile et face
- Résurrection
Darius Milhaud Chansons de Ronsard
- A une fontaine
- A Cupidon
- Tais-toi, babillarde
- Dieu vous garde
Deux airs
- – (extraits de “Bolivar”)
- Air de Manuela (Jules Supervielle)
- Berceuse (Jules Supervielle)
Melisio Morales
- La farfalletta
John Musto (1954-)Quiet Songs
- maggie and milly and molly and may (e.e. cummings)
- Intermezzo (Amy Elizabeth Burton)
- Quiet Song (Eugene O’Neill)
- Christmas Carol {To Jesus on His Birthday} (Edna St. Vincent Millay)
- Palm Sunday: Naples (Arthur Symons)
- Lullaby (Leonie Adams)
Prince Josef Poniatowski
- All’amante lontano
- T’amo, bell’idol mio
Francis PoulencFiancailles pour rires
- (Louise de Vilmorin)
- La Dame Andre’
- Dans l’herbe
- Il vole
- Mon cadavre est doux comme un gant
- Violon
- Fleurs
- Les Chemins de l’Amour (Jean Anouilh)
André Previn Four Songs
- (with cello and piano)
- Mercy
- Stones
- Shelter
- Lace
Sergei Rachmaninoff
- Oh , never sing to me again (Nye poi krasavitsa..) (Pushkin) Op. 4
- Au! (K. Balmont) Op. 38, n. 6
- Dream (Son) (F. Sologoub) Op. 38, n.5
- The Answer (Victor Hugo – L. Mey)
- The harvest of sorrow (Tolstoy)
- Believe it Not! (Tolstoy)
- The Muse (Musa) (A. Pushkin)
- The Storm (Pushkin)
- What wealth of rapture (Kakoye stastye) (A. Feth)
- Dissonance (Polonsky) Ned Rorem
- Thoughts of a young Girl (a capella)
- Ferry Me Across the Water(Christina Rossetti)
Kaija Saariaho
- Die Aussicht (with piano, violin, cello)
Savinelli T’amo bell’idol mio Dmitri Shostakovich
- Seven Romances on Verses by Alexander Blok Op. 127 (for piano, violin + cello)
Franz Schubert
- Rastlose Liebe (Goethe)
- Gretchen am Spinnrade (Goethe)
- Du bist die Ruh’
- Ständchen
- An die Musik
Juan de Lima Serqueira (165?-1727?)
- Tono humano solo (with guitar) – “Todo es amor”
Richard Strauss Brentano Lieder, Op. 68
- An die Nacht
- Ich wollt’ ein Strausslein binden
- Saeussle, liebe Myrte
- Als mir dein Lied erklang
- Amor
- Lied der Frauen
Vier Letzte Lieder
- (with piano or with orchestra)
- Frühling (Hermann Hesse)
- September (Hermann Hesse)
- Beim Schlafengehn (Hermann Hesse)
- Im Abendrot (Joseph von Eichendorff)
- Kling!, Op. 48, no3
- Morgen, Op. 27, no4
- Cäcilie, Op. 27, no2
- Breit’ ueber mein Haupt, Op. 19, no2
John Tavener Akhmatova Songs
- (with cello)
Peter Ilych Tchaikovsky
- If only I had known (Kabbi snalaya…) Op. 47 (A.K. Tolstoy)
- Was I not a little blade of grass (Ya livploye da nye travushka bila..) Op. 47 (Surikov)
- Last Night (A.S. Khomyakov)
- Lullaby (Kolibel’naya pesnya)(A.N. Maikov)
- Alone again, as before (Snova, kak pryezhdye, adin) (Ratgauza)
Joaquin Turina Triptico
- Farruca (Campoamor)
- Cantilena (Duque de Rivas)
- Madrigal (Duque de Rivas)
Tres poemas
- Olas gigantes
- Tu pupila es azul
- Besa el aire
Ralph Vaughan Williams William Blake Songs (1757-1827) – with Oboe
- Infant Joy
- A Poison Tree
- The Piper
- London
- The Lamb
- The Shepherd
- Ah! Sun-flower! weary of time
- Cruelty has a Human Heart
- The Divine Image Eternity
William Walton Anon. in Love (with guitar)(duration 9 1/2 minutes)
- Fain would I change that note
- O stay, sweet love
- Lady, when I behold the roses
- My love in her attire
- I gave her Cakes and I gave her Ale
- To couple is a custom
Anton Webern
- Drei Lieder (fur Gesang, es-klarinette und gitarre Op. 18)
- Schatzerl klein
- Erlosung
- Ave Regina
Hugo Wolf
- Die Bekehrte
- Die Spröde
- Verborgenheit
- In dem Schatten meiner Locken
- Auf ein Altes Bild
Ermanno Wolf-FerrariQuattro Rispetti Opus 12:
- Quando ti vidi a quel canto apparire
- O guarda, guarda quel nobile augello
- Angiolo delicato fresco e bello
- Sie benedetto chi fece lo mondo!
Musica da camera
COMPOSER | TITLE | Instruments/Timing |
T. Arne | *The Morning | String quartet |
J.S.Bach | *Cantatas BWV 21 “Ich hatte viel Bekümmernis” *BWV 187 “Es wartet alles auf dich” – *BWV 210 Wedding – “O holder Tag, erwünschte Zeit” * BWV 211 Coffee – “Schweigt stille, plaudert nicht *”Sich üben im Lieben” |
oboe obbligato, basso continuo |
Luciano Berio | Chamber Music
|
– for Soprano, clarinet, cello and harp (7 minutes) |
Brahms/Reimann | 5 Ophelia-Lieder | (soprano, string quartet) |
Benjamin Britten | A Birthday Hansel, op. 92 | Soprano and Harp |
Leo Delibes | Le Rossignol | soprano, flute and piano |
Maurice Delage | *Quatre Poemes Hindous | piccolo flute, grande flute, oboe, clarinet, bass clarinet, harp and string quartet |
Henryk Mikolaj Gorecki | Good Night – | soprano, alto flute, 3 tam-tams and piano |
A.E.M. Gretry | Aimable Aurore | soprano, flute, piano |
Handel | 9 German arias | soprano, violin, basso continuo |
*Il delirio amoroso | soprano, string chamber orchestra, oboe, flute (a bec), violin solo | |
CHAMBER DUETS: *A mirarvi io son intento; *Tanti strali; Troppo cruda, troppo fiera; *No, di voi non vo’ fidarmi; *Va, speme infida pur; *Sono Liete, fortunate | ||
Hans Werner Henze | Being Beauteous | for coloratura soprano, harp and four cellos |
Paul Hindemith | Die Serenaden, Op. 35 for Soprano, oboe, violin and cello I. | |
Barkarole | soprano, oboe, cello | |
An Phyllis | toccata fur cello, corrente fur soprano and cello | |
Nur Mut | fur soprano, oboe and violin | |
Duett | for violin and cello | |
Der Abend | soprano and oboe | |
Der Wurm am Meer | soprano, oboe, violin, cello | |
Trio | oboe, violin and cello | |
Gute Nacht | soprano and violin | |
*Das Marienleben songs Op. 27 | small orchestra | |
Leos Janacek | Zdravas Maria | mixed chorus, violin, organ (4.5 minutes) |
Giya Kancheli | EXIL (1994) | for soprano alt-and bassfloete, violin, viola, cello, bass (48min) |
I – Psalm 23 | (18.2 minutes) | |
II- Einmal | (4.2 minutes) | |
III – Zaehle die Mandeln | (9.13) | |
IV – Psalm | (7minutes) | |
V- Exil | 8.47 | |
N. Kotova | *Lyrica Suite |
Soprano and violoncello |
Ernst Krenek | *O Lacrimosa, Op. 48 | soprano, 2 flutes, 2 Bflat clarinets, 2 bassoons, harp |
*Die Nachtigall, op. 68 | soprano, chamber orchestra – (flute, violins 1&2, viola, cello, contrabass) | |
Andre Previn | Vocalise | for soprano, cello and piano |
*Four Songs (Toni Morrison)
|
soprano, cello and piano | |
Augusta Read Thomas | In My Sky at Twilight: Songs of Passion and Love | soprano and chamber orchestra – piccolo, flute, oboe, 2 bflat clarinets, 2 horns in F, piccolo trumpet in Bflat, Trumpet in C, 2 percussion, 2 pianos, harp, violin 1 and 2, viola, violoncello |
Ottorino Respighi | Il Tramonto | voice with string quartet (15 minutes) |
Kaija Saariaho | Changing Light | soprano and violin |
Il pleut (Apollinaire) | soprano and piano (or harp) | |
*Die Aussicht | soprano, flute (or violin), cello, piano (2 minutes) | |
Esa-Pekka Salonen | *Five Images After Sappho | soprano, flute, oboe, clarinet in Bflat, bassoon, horns in F, Percussion, piano, harp, violin 1 & 2, viola, cello, double bass. |
Pietro Alessandro Scarlatti | No. 5, Si riscaldi il Tebro | (soprano, trumpet, basso continuo) |
Alessandro Scarlatti | Cantata Pastorale per la Nativia’ di Nostro Signore Gesu Cristo | soprano, string quartet and keyboard continuo |
Alfred Schnittke | Three Madrigals (1960)
|
soprano, violin, double bass, harpsichord and vibraphone
|
Arnold Schoenberg | *Herzgewaechse, Op. 20 | (soprano, celesta, harmonium, harp) |
Franz Schubert (1797-1828) | Auf dem Strom | soprano, horn (or cello), piano |
Der Hirt auf dem Felsen, Op. 129 | soprano, clarinet (or violin, flute, cello), and piano | |
Bright Sheng | Three Chinese Love Songs
|
soprano, viola, piano
|
Dmitri Shostakovich | *Seven Romances on Verses by Alexander Blok Op. 127 | (for soprano, piano, violin + cello) |
Dmitri Smirnov, *Op. 138 |
|
Soprano, cello, piano |
I. Stravinsky |
|
Soprano, chamber orchestra |
John Tavener | *Akhmatova Songs | (voice + String quartet) (or soprano and cello) |
The World | soprano and string quartet 10 mins. | |
To a Child Dancing in the Wind – 9 songs | Soprano, flute, viola, harp 45min. | |
Depart in Peace | soprano and ensemble | |
Eternity’s Sunrise | soprano and period instruments | |
Maya Atma (2002) | Violin, soprano, Percussion 10 mins. | |
Samaveda (1997) | Flute, tampura, Soprano;5 mins. | |
Ernst Toch | *Die chinesische Flöte | (soprano and chamber orchestra) |
Ralph Vaughan-Williams | Three Songs from “The House of Life” | (arr. By Maurice Johnstone 1968 for string orchestra and harp –or piano) |
Heitor Villa-Lobos | *Bachianas Brasileiras, No. 5 | (soprano and cellos) |
Antonio Vivaldi | *Salve Regina RV 617 | soprano, violin solo, 2 violins, viola, bass |
*Par che tardo | basso continuo | |
*Geme l’onda che parte dal fonte | –basso continuo | |
Lungi dal vago volto | – soprano, violin, basso continuo | |
Anch’il mar par che sommerga (from Idaspe dal Bajazet 1735 Verona) | 2 violins, viola, basso continuo | |
Nulla in mundo pax sincera, RV 630 | – motetto per soprano, 2 violins, viola, basso continuo | |
Amor hai vinto | – soprano + basso continuo |
Hi Laura Hello from Singapore! Big fan of your technique videos and performances on Youtube. Been a singer for about
Hello Ms Claycomb, hope everything is well with you. i am Tata, live in Boston and study vocal. I found your v
Hi Laura, It has been great to find this. I have admired you since our days in NATS (I was in OK at OCU). I don't know i
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