Soprano Laura Claycomb, in the title role, furnished everything the role called for. She proved equally adept at conveying pathos, stubbornness and — especially — insanity in the memorable “Mad Scene,” and the clarity of her coloratura singing shone prominently throughout the evening.
Lucia’s Act I-ending duet with Edgardo (William Burden), “Qui di sposa eterna,” and her long, skillfully drawn-out “Mad Scene” aria are two of the opera’s most memorable highlights.
http://theadvocate.com/news/neworleans/neworleansnews/11848018-123/soprano-tenor-shine-in-no
Hi, please send me a direct email for personal inquiries! All the best!
Hi, remember fondly your performances in San Francisco with MTT. I love your singing and also your sense of humor!
Dear Laura: Your video is simply the best in the world
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